Just email the artwork and we’ll sort it.
Those words are usually where the trouble starts.
Print isn’t plug-and-play. You can’t lob a file into an inbox and expect it to pop out the other end as a flawless POS pack. That’s not how this works. That’s not how any of this works.
Here’s why we’re a bit fussy about checking artwork first:
- RGB vs CMYK
That electric orange on your screen? The juicy green? In RGB, they look great. In print, not so much. If we don’t convert and proof properly, they turn into something… sad. We fix that. - No bleed (aka: the white-edge nightmare)
Bleed isn’t a “nice to have”. That 3mm stops your job from coming back with mysterious white slivers or weird auto-scaling. Tiny detail. Massive impact. - Fancy finishes get fussy
Spot UV. Foil. Embossing. Lovely ideas — but they need the right layers and setup. Not every design file arrives ready for that. We check it won’t implode halfway through production. - Image quality matters
If your logo is 72dpi, it might look fine on screen… but in print it’ll look like it was faxed in from 1996. We make sure everything’s sharp enough to survive real life. - Fonts and live text chaos
Missing fonts, editable layers, mystery text boxes — all things that can bring a print job to a screaming halt. We lock it all down so nothing goes rogue on press.
You don’t need to be a pre-press wizard.
You need someone who’ll actually look at the artwork, fix what needs fixing, and make sure it behaves itself when ink hits paper.
That’s us.
Every time.





